Shelley Savor

Caffeine Reveries
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CIEL VARIABLE 98
These abstract works involving simple forms evoke methods of analogue photography to challenge the degree of veracity of the image. Imprint, inversion, and casting are some of the components transposed into other artistic media to re-evaluate our capacity to apprehend the real.
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Gary Michael Dault

TORONTO: A NOVEL
Chapter 58
Violet Dollop now has two passions in her life: writing and Indian food. Oddly, the one, Indian food, seemed like an extension or continuation of the other, the writing. Indian food seemed to Violet to be so directly about life’s processes—the challenge of heat, the silky consolations of cool pudding-smoothness, the unprepared for eventfulness of sudden big encounters with spices: cardamom seeds, as black and present as insects. Indian food, thought Violet, is terrain. Indian food is a silent movie. She loved it with an accelerating fervor so intense she knew that, despite her non-Indian-ness, she would someday have to write an Indian cookbook. Or at least a book about the proliferating excitements generated by the Indian Food milieu: Indian Food—The Long Metaphor.
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Andrew Yeung

Line Doc
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